Welcome to the Aptis Advanced Reading Test.
There are 4 parts. You have 60 minutes to complete the test.
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(En este test no tenemos cronómetro, así es que debes ponerte tú un timer de 60 minutos. Puedes ponerte el del móvil o el ordenador.)
Read the text and match the opinion to the initials of the person that expresses it.
For example: if the answer is Elena Chang, write EC.
The rise of women in Chinese film
A great deal has changed in the last 18 years, according to film director Elena Chang. In 2001, realising that the female trailblazers of Chinese cinema were repeatedly left out of the history books, she took it upon herself to rewrite the narrative. “There was almost nothing written on women directors. I knew they existed but when you tried to find out about them, they were practically non-existent,” she said.
She documented the work of female directors such as Tazuko Sakane, born in in Japan in 1904. There was just one major issue: the public had no interest in Chang’s research. “The book didn't have any real impact, no one was reading that type of book yet,” she explained.
Fast forwarding to today, Chang proudly shows off the February 2019 issue of Vita Magazine, featuring a huge spread on Chang and her work celebrating Esther Eng. This is especially exciting for Chang, not solely because the work of women filmmakers is finally being covered, but because the magazine is Chinese, and information is strongly censored in the country, which makes sharing Eng’s story rather challenging.
Across China, an increasing number of film festivals dedicated to women directors are also helping change the conversation. A notable example is the China Women’s Film Festival, an annual event that takes place in Beijing and Hong Kong, which first occurred in 2013. Its objective is to highlight the work of women filmmakers around the world and promote discussion in China and Hong Kong regarding women’s rights.
Festivals such as this one are particularly inspiring for young filmmakers like Jenny Won. There are practically no art cinemas in Hong Kong and without the festival it is tricky to view this kind of content. Following the China Women’s Film Festival in Hong Kong in March, she said, “The China Women's Film Festival is interesting as it brings quality, female-made documentaries to Hong Kong and China. It enables audiences to experience films such as Ava which is somewhat unusual – you don't have the chance to see that kind of film at the box office. Hong Kong normally goes for the big Avengers or superhero movies. I wouldn't have any idea about [films like Ava] if it weren't for the festival.”
Jack Tan, who founded the China Women’s Film Festival, believes film is a vital way to capture the attention of the Chinese people and encourage public debate on these kinds of issues. “[In China] it is not possible to spread information through mainstream media or big news media, which is all censored or controlled by government,” he explains. “But film… is a useful way to put social issues in the mainstream.”
However, in spite of the significant progress female filmmakers have been making in China and Hong Kong, big challenges remain. Producing films has become easier and cheaper due to technology, but without art cinemas or significant public funding it is still hard for promising filmmakers to make a name for themselves. Young filmmaker Lisa Liu says, “Now many of us are taking our cameras everywhere and shooting plenty of things, but it is surprising to me how little we earn… Newcomers are struggling. The veterans still dominate movies. Hollywood, superhero, big budget productions – that's what people opt for.”
While much has changed, the dreams of young filmmakers in China and Hong Kong today remain similar to those of women in the 1930s. As with the Japanese director Tazuko Sakane in 1936, Lisa Liu hopes to use her perspective of the world to make films: “I want to produce films about the female experience,” she says. “It's really exciting that there are more and more films about that, and I can't wait to add to that number, especially from an Eastern point of view. It's so unexplored, we've seen films produced by men all this time, but now we're on the verge of unearthing all these new perspectives.”
Which person:
1. believes female-made films have great potential?
2. struggled to find information about women in the history of Chinese cinema?
3. says that Chinese people prefer big, expensive productions?
4. is grateful to the film festival for the opportunity to see uncommon films?
5. wants to encourage the public to discuss female-made films?
6. thinks female filmmakers don't earn very much?
7. sees film as a great way to raise awareness?
Read the text below. Match the headings to the correspondent paragraphs. The first one is done for you.
Read the text and type the correct word from the three options given to complete sentences in the text.
When Paul McCartney, 15, met John Lennon, 16, in 1957, little did the world know its music scene was about to be (radicalised/transformed/transcended) forever. Lennon invited McCartney to join his band, The Quarrymen, on rhythm guitar. He was soon followed by a certain George Harrison, and the original bassist Stuart Sutcliffe.
An encouraging start in Liverpool lead The Beatles' first manager, Allan Williams, to arrange a stay in Hamburg, Germany. Further line-up changes took place with Pete Best joining as drummer – not long after replaced by a young Ringo Starr – and Sutcliffe failing to impress meant that McCartney ended up replacing him on bass.
After several performances in Hamburg, the Beatles came home in 1961 to a lead role in the thriving Mersey beat scene at the time. After a run of shows at The Cavern Club, they were (viewed/elicited/spotted) by Brian Epstein, who would become their new manager in 1962. He signed them to EMI's Parlophone label and before long they began their first recording session at Abbey Road Studios.
In 1963, the Beatles peaked at number 1 in the UK charts with their first LP, Please Me, bringing them (elation/adulation/ovation) across the country. This was followed by extensive touring in Europe, where their fame would follow them as thousands of fans (enamoured/scoured/clamoured) to get into the venues every night – these incredible levels of adulation lead to the term Beatlemania. A year later, the 'British Invasion' happened as The Beatles finally hit the USA. They were soon adored there too, holding the top five places in the Billboard Top 100 – still a record to this day.
Four years and over 1400 live appearances later – not to mention constant recording and touring – The Beatles were starting to feel the (toll/wear/grind) of their success and their last ever performance to the public was to take place in San Francisco in August 1966.
With no further shows on the horizon, The Beatles took to the studio and started experimenting more. Between 1966 and 1970, they would record and release a further six studio LPs, including the renowned Sgt Pepper's Lonely Hearts Club Band. The (next/consequent/subsequent) tragic death of their manager, Brian Epstein, lead to cracks in the group's unity and recording sessions became interrupted by members quitting and returning.
In spite of this, The Beatles' music continued to occupy the top spots with four releases in the UK and five in the US. (Protrusions/Lesions/Tensions/) were no secret by now and the group played one final performance on the rooftop of a building in London in January 1969, followed by their album Abbey Road topping the charts worldwide just before their break up in 1970. Following this, their final studio LP, Let It Be, was released in May 1970 – a hugely popular song now regarded as a (poignant/repugnant/stagnant) finale for a group which redefined music as we know it.
Read the texts and answer the questions. Write the letter of the correct answer next to the question.
Text 1:
Happy Home Magazine needs you!
Since our recent article, Penny Wise Pound Foolish, was published, we have been inundated with messages of gratitude and enquiries as to how else readers can save their hard earned cash.
It is truly heart-warming to hear that our article has helped so many, but equally we cannot claim to be the fountain of all knowledge either – in fact, some of you have written in with even better ideas that we wish we had thought of first!
We are, therefore, inviting you to contribute with your own suggestions as to how people can spend less and save more, the best of which will then be published in our next issue.
If your entry makes it, you will receive a voucher for 50% off your next trip to the supermarket – how's that for a saving?!
Text 2:
We asked our readers to come up with their own ideas for saving money – here are the best of a brilliant bunch!
Sell your old and unwanted things online. You'd be surprised how much people will pay for something you've left in your attic for years – I've never looked back! It's also a great way to declutter and leave space for things you actually want in your house. The key to selling at a good price is timing: people often browse auction websites at weekends, so that's a clever time to put your items up for sale. Mary F, Wakefield
Sign up to membership schemes. Most supermarkets and retailers, for example, offer a membership scheme – it takes a matter of minutes to sign up and you will soon reap the rewards in terms of points and monetary rewards, just for doing something you already do! You may receive discount vouchers and find out about special offers too. Jane T, Suffolk
Buy produce in season. Seasonal food can be bought at a cheaper price as it does not need to be imported from far-away countries. It also tastes fresher and you are doing your bit for the planet, not to mention supporting local farmers! A win-win if you ask me. I was amazed to find that I've saved hundreds through doing this over the last year alone. I've also enjoyed many delicious meals! Peter W, Cardiff
[Remember, you only need to type in the letter : a, b, c or d]
1) Why is the magazine asking for reader contributions?
a)The magazine doesn't have any more ideas
b)Readers have stated that they would like to submit contributions
c)The magazine is impressed by contributions it has received so far
d)Readers were not satisfied with the recent article's ideas
2) What does Mary list as an extra benefit to making money in her tip?
a)You will have more free space in your house
b)You will have better time management
c)You will learn to negotiate better
d)You will not need to buy anything new
3) How does Jane describe membership schemes?
a)They are a lot of hassle but worthwhile
b)It takes a long time to benefit from them
c)They are worth taking up for discount vouchers alone
d)They are very simple to sign up to
4) Which writers were taken aback by how beneficial their ideas were?
a)All three writers.
b)Mary and Peter.
c)Mary and Jane.
d)Jane and Peter.